Photo credit: sfsphotography

American baritone Robert Mellon was acclaimed by Opera News for having “excellent comic timing,” and a “domineering baritone, gleaming like polished copper.” For the 2021-2022 season Mr. Mellon will be debuting the roles of Marcello in La bohème and Gubetta in Lucrezia Borgia with Opera de Oviedo; and will make his Pensacola Opera debut reprising the role of Papageno in Die Zauberflöte. Mr. Mellon will also be debuting the role of Iago in a reimagined production of Verdi's Otello with InSeries Opera in Washington D.C., and will be reprising the role of Marullo in Verdi's Rigoletto with Opera Philadelphia. 

In 2020-21 Mr. Mellon debuted the roles of Schaunard in La bohème  with San Diego Opera; Malatesta in Don Pasquale with Opera Las Vegas; and Figaro in Il barbiere di Siviglia with Union Avenue Opera. The 2019-20 season included company debuts with Opera de Oviedo as Simone in Eine Florentinische Tragödie and Tonio in Pagliacci; the title role in Gianni Schicchi and Simone in Eine Florentinische Tragödie with Livermore Valley Opera, about which the San Francisco Chronicle wrote, “Baritone Robert Mellon was both the musical star of the performance and its dramatic vertex…with a steely vocal edge that never interfered with the beauty and flexibility of his singing.”  Mr. Mellon reprised the roles of Papageno in Die Zauberflöte with Opera Maine and Don Alfonso in Così fan tutte with Syracuse Opera.


In 2018-19 he performed in the world premiere of Dear Erich with New York City Opera and as Leporello in Don Giovanni with Syracuse Opera. He also sang Bernardo in West Side Story with Shreveport Opera. He has performed leading roles with Opera Theatre of Saint Louis, The National Sawdust Festival, and the Peoria Symphony, and was a guest artist with Manhattan School of Music and Rutgers University. Other roles include Figaro in Le nozze di Figaro, the title role in Falstaff, Sam in Trouble in Tahiti, and Macbeth in the U.S. premiere of Ernest Bloch’s Macbeth. Concert work includes the Mozart and Duruflé Requiems, Dvorak’s Te Deum, Stravinsky’s Pulcinella, Rossini’s Petite Messe Solennelle, Bach’s Magnificat, and Mussorgsky’s Songs and Dances of Death.



© 2016 by Robert Mellon

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